Indeed the crucial deaths of the brothers in mutual slaughter and of their mother from grief must surely have been the climax of any drama projected by Seneca as they were for Euripides. Do these scenes represent a complete dramatic action? Hardly, since the long opening dialogue lacks the characteristic expository material of a prologue and the extended last scene reaches a stalemate with no indication of either a moral resolution or a physical exodos. Euripides' chorus of Phoenician captives is not tightly integrated with his play, but there is no reason other than convention to assume that Seneca had intended to compose choral material for these scenes, still less to identify the chorus as Phoenician women. the influence of Statius' epic poem of the Seven against Thebes. The title, Phoenissae in the Etruscus, Thebais in the A-tradition of Mss, seems in each case to have been imposed for extraneous reasons, the former because of the close relationship between the text's second Jocasta-based phase and the opening episodes of Euripides' Phoenissae, the latter under. Almost every aspect of the Senecan text known as Phoenissae has been disputed except its authorship.
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